The palace building itself is massive and ornate, with highly decorated towers and statues. The Upper Belvedere houses the permanent art collection.
The Upper Belvedere also includes a number of other Klimt paintings.
The Lower Belvedere, another residential wing, houses temporary exhibitions. Its baroque galleries are also magnificent, filled with painted ceilings, marble, statues, and inlaid floors. Of course, baroque style feasts on excess. A minimalist would be horrified, but I loved it. As David says of me, "Gretta thinks more is more."
We were totally in luck. The Lower Belvedere was hosting a special exhibition on how Klimt's paintings were constructed, so we saw even more Klimt paintings borrowed from private collections and other museums. This painting, "Judith," is famous.
Klimt painted in the late 1800s and early 1900s in Vienna. The model for this unfinished painting was a Jewish woman who died in the Holocaust. The plight of Jews in Europe reappeared on our trip again and again, as we visited Hungary and Austria.
I love medieval art, which is obviously more plentiful in Europe than in the US. The Belvedere's permanent collection of medieval art was housed in the Lower Belvedere, along with temporary exhibits.

After all that heavy stuff, Dave and I needed some culinary relief. Viennese cafes are famous for their fancy cakes. I ordered a slice of sachertorte. I think Dave's pastry might have been a Mozartorte, or some such.



















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